On 30 June 2019, on the occasion of "Elègance et Automobile at Monte-Carlo, Phillip Sarofim's Lancia Strato's Zero, receives the" Prix Spécial du Jury "award Princess Charlene of Monaco.

Monte Carlo June 30, 2019. Phillip Sarofim receives the "Prix Spécial du Jury" award from Princess Charlene.

The previous May 27 at the Lingotto track in Turin, Alois Ruf (Ruf Automobile) introduced collector Phillip Sarofim to the Stolas, before a test of the Zero in preperation of the concours d’elegance.

Turin, May 27, 2019. To Alfredo Stola driving Strato's Zero on the Lingotto track.
Turin 27 May 2019. Alfredo Stola is entrusted with Strato's Zero on the Lingotto track by Alois Ruf and Phillip Sarofim.

Turin, May 27, 2019. On the parabolic of the Lingotto track, Alfredo and Maria Paola
are excited by this unusual experience.

After the test, Studiotorino was entrusted with the task of giving the prototype a complete mechanical overhaul with the aim of having it in optimum condition in the Principality on June 26th.
The upcoming event would include a 40km mountain rally, so it would be necessary to take into account the conditions associated with both steep climbs as well as intense city traffic and how these very different situations would affect engine temperatures.
Well aware of the responsibility towards one of the most iconic Concept Cars in the history of the automobile, born from the genius of Marcello Gandini, this mechanical restoration would need to be approached with absolute technical and historical rigor. So, it was decided to entrust the work on the Strato's to the experts of the “Ferrari Service Torino ” workshop.

Turin, May 29, 2019. Alfredo meets Aldo Carrabs,
owner of the Ferrari Service centre.Turin 29 May 2019. A souvenir photo with the Zero.
G.Madonia, A.Stola, and A. Carrabs.

Turin, May 30, 2019. At the Ferrari Service centre, Gandolfo Madonia began working on Strato's Zero.
Madonia previously worked at Fiat in the “experience department and later in the“ Lancia museum ”.

Turin, June 5, 2019. Gandolfo Madonia begins the delicate phase of engine overhaul.
He has 40 years of experience with this complex engine from the Lancia Fulvia Coupé.

Turin 10 June 2019. Absolute rigor for originality is shown in the work on the prototype’s engine.Turin 10 June 2019. Absolute rigor for originality is shown in the work on the prototype’s engine.

The Lancia 1600 HF Testa Gialla motor was originally installed in 1970 with a completely different layout to the 1965 Fulvia Coupè from where it was sourced.
27 days of very careful work was carried out by mechanics Aldo Carrabs and Gandolfo Madonia with the continuous assistance of Alfredo Stola, culminating in a controlled test on the Lombardore track.

Lombardore 20 June 2019. Gandolfo Madonia, and Alfredo Stola begin the tests on the track. The main objective is to check the water temperature. The weather conditions of that day on the track show 28 degrees Celsius.

Lombardore 20 June 2019. The Strato's Zero is subjected to two 30-minute test sessions, each at
a particularly fast pace, at the end of which the prototype was be left to idle for another 30 minutes.

Lombardore 20 June 2019. The Team checks and discusses the results of the tests on the track.Lombardore 20 June 2019. The Team checks and discusses the results of the tests on the track.

Lombardore 20 June 2019. A souvenir photo before returning to the Ferrari Service centre.
Aldo Carrabs, Alfredo and Maria Paola Stola, and Gandolfo Madonia.

 

All the objectives requested by Alois Ruf on behalf of his client were respected. For Alfredo and Maria Paola, such an iconic project will always be remembered with affection, especially with regards to Mr Sarofim and the birth of their new friendship.

 

Monte Carlo 29 June 2019. In the Piazza del Casinò the Strato's Zero parades in the dynamic test in front of the jury. At the wheel Phillip Sarofim together with Alois Ruf.Monte Carlo June 30, 2019. Maria Paola Stola,
delighted by the "Prix Spécial du Jury" prize
won by Phillip Sarofim.

After the prestigious Monte Carlo rally, Phillip Sarofim, one of the most important Classic Car collectors in the world, wanted to publicly thank Studiotorino from his Instagram site PORSCHEOUTLAWRS for the work done with the phrase "THANK YOU STUDIOTORINO FOR TAKING CARE OF THE 0".
Alfredo and Maria Paola Stola thank Phillip Sarofim for his total trust in giving us the opportunity to work on the precious Concept Car which we believe is the most iconic ever created in the history of the Automobile.
Making a comparison with pictorial art, for us the Lancia Strato's Zero Concept Car by the Bertone body shop is symbolically equivalent to Leonardo Da Vinci's Mona Lisa.

 

With STUDIOTOINO  thesis projects with graduating students from Iaad university have become a reoccurring event, and the 100 year anniversary make this moment even more important. 
The titles proposed for the two students this year are particularly ambitious: "A contemporary concept of the Ferrari Dino" and " an italian one-off based on a classic american muscle car".

"Dino contemporary hypothesis" was the title proposed by STUDIOTORINO for the degree thesis presented by Cristiano Umana on 5th July at the Iaad University of Turin.
The intention was more than to create a new hypothetical style, it was also to study how extraordinary projects can be born from a heartbreaking love story of a father for a son, destined to die very young from a degenerative disease.

Turin March 26, 2019, the first study of Cristiano Umana to get to the contemporary Dino.

Maranello 1954, Enzo and Alfredo (Dino) Ferrari together from the window of via Abetone lower 4.The most striking thing about this thesis is that Enzo Ferrari chose the V6 engine for the most important technological change on his cars, that was the move from a front engined to a mid’ engined layout.
The engine developed by the very young Alfredo Ferrari was perhaps, not surprisingly, branded with his nickname "Dino" after his death.
This major innovation of repositioning the engine-gearbox group took place for Ferrari first in 1961 for Formula 1 called Dino 156 F1, still in 1961 in the Sport Prototype category the 246 SP, and in 1967 with the Dino 206 GT followed then by 246 GT and GTS for the first Gran Turismo of "Grande serie" whose total production reached 4,067 units.
These extraordinary Dino road GTand GTS were preceded by three inspiring prototypes, presented by Pininfarina at its stands at the Paris Motor Shows in 1965, in Turin in 1966 and in Frankfurt in 1967. They are respectively named Dino 206 Berlinetta Speciale, Dino Berlinetta GT, and Dino Berlinetta Prototipo Competizione.
Precisely from these three Pininfarina masterpieces, the Dino 206 GT was finally presented at the Turin Motor Show in October 1967 at the Ferrari stand.

1961 Ferrari 156 F11962 Ferrari 196 SP

1967 Dino 206 GT1969 Dino 246 GT1971 Dino 246 GTS.

Paris 1965 Pininfarina presents the prototype called Ferrari Dino 206 P Berlinetta Speciale

1966 Dino Berlinetta GT1967 Dino Berlinetta Competizione

1963 Ferrari 250 LMWhen and how Enzo Ferrari decided to want the engine in the central position, the Tipo 250 LM of 1963 should be told as an "exception".
As already written, in 1961 Ferrari presented its first Formula 1 and its first Sport Prototype with a central engine, and in 1967 its first homologated large-production road car; of all these cars the engine was the six-cylinder DINO.
This 1963 250 LM, also with a central engine but with 12 cylinders, the idea was to imagine the renewal of the famous 250 GTO (Gran Turismo Omologata) which had a front 12 cylinder engine for competitions, and it is no coincidence that LM  were the initials of Le Mans.
The F.I.A. due to insufficient units produced (33 in total out of 100 requests) it did not issue the homologation to compete in the Gran Turismo Omologate category, and for this reason it was forced to race in the Sport Prototype category. Later in 1966 very few specimens were then approved for road circulation in a private way.
For this reason the 250 LM should be considered a Sport Prototype and not a production car.

 

Attempting to style a Maranello car is presumptuous, but since it is a thesis by a young student, it should also be considered a courageous and worthy task.
Before starting work, it was decided to first make a visit to the Geneva Motor Show, then to Modena and Maranello in order to let him soak up the magical atmosphere of the places where the legend was born.
A walk outside the factory, a visit to the two museums, and tasting the food of the local historic restaurants were the preparatory stages.

Turin 10 March 2019, a preparatory drawing by Cristiano Umana to learn about the sinuous curves of the classic Dino.

Alfredo and Maria Paola Stola, as external consultants, invited their friend Wladimir Lasbugues to contribute as a tutor, gaining the opinion of a professional designer with the aim of making Cristiano Umana grasp every little historical, aesthetic and technical detail that could be useful for the thesis.
2500 cc, 4-cylinder turbo with an electric power unit, the characteristics that give name to this hybrid "Dino 254 GT-H".
The overall dimensions of this Dino are: length 4300mm, width 1850mm, height 1200mm, wheelbase 2550mm, which makes it around 19% smaller (apart from the similar height) than the Ferrari 488.
In this thesis a spider version was also imagined with a classic targa-type roof, the "Dino 254 GTS-H".

Geneva 5 March 2019. Alfredo Stola with the student Cristiano Umana at the Motor Show accidentally meet the Director of the Ferrari Style Center, the architect Flavio Manzoni.Geneva 5 March 2019.
Cristiano Umana, Alfredo Stola and Flavio Manzoni.

Modena 23 March 2019, in front of the Ferrari family house a souvenir photo of Alfredo Stola,
Cristiano Umana and Wladimir Lasbugues.

Modena, 23 March 2019. In the Ferrari museum Wladimir Lasbugues tells Diano 246 to Cristiano Umana.Maria Paola Stola, Wladimir Lasbugues and Cristiano Umana in a souvenir photo in the center of the museum.

Castelnuovo Rangone 23 03 2019. From Pasticcino M.P. Stola, C. Umana, A. Stola, Pasticcino, W. Lasbugues
and C. Stola.Maranello 24 03 2019. Restaurant Il Cavallino M.P. Stola,
C. Umana, A. Stola, W. Lasbugues
and C. Stola.

March 28, 2019, Alfredo Stola and Cristiano Umana.Alfredo Stola, Cristiano Umana and Maria Paola Stola.

The preparatory drawings for the thesis "Dino hypothesis contemporary"

The preparatory drawings for the thesis "Dino hypothesis contemporary"The preparatory drawings for the thesis "Dino hypothesis contemporary"

Turin 5 July 2019. Cristiano Umana exposes the thesis
"Dino hypothesis contemporary"Turin 5 July 2019. Cristiano Umana exposes the thesis <br> "Dino hypothesis contemporary"

Turin 5 July 2019. At the IAAD university the commission composed of Alfredo Stola, Maria Paola Stola,
Laura Milani, Pietro Nume and Alessandro Camorali.

A few days after the presentation of the thesis, we met in Villarbasse to set up a "Post Thesis" study.
In this way, Tutor Wladimir Lasbugues was able to transmit to Umana all the improvements in terms of line refinement and coloring.
Cristiano Umana, without the pressure of the exams, was able to complete the drawing and thus simulate, in a certain sense, a real work environment with a manager to whom to report the result.

Villarbasse 24 July 2019. About three weeks after the presentation of the thesis, Maria Paola hosts the designer Wladimir Lasbugues who as Tutor examines and corrects the designs of Cristiano Umana. The goal is to face a "Post Thesis" period together to obtain the most professional result possible.

August 14, 2019. This drawing is the result of Cristiano Umana's "Post Thesis" work under the supervision
of his Tutor Wladimir Lasbugues.

September 2019 in the post-thesis work we imagined the spider version with the classic hard plate-type roof.

September 2019 in the post-thesis work we imagined the spider version with the classic hard plate-type roof.

 

"An italian styled One-Off based upon a classic American muscle" is the title given by STUDIOTORINO for the graduating thesis project of the student Luca Barattolo exposed on July 5th at IAAD university of Turin.

Turin 5 July 2019 "An Italian custom-made vehicle on a classic American muscle car", here is the drawing presented
from Luca Barattolo to the Thesis at the IAAD.

The external relators, Alfredo and Maria Paola Stola, asked for the designer Emanuele Bomboi as a tutor to make sure that the student seized every possible historical, technical and external detail from the world of muscle cars.
Right from the start the main inspiration was the "Ford Mustang I Concept" from 1962, and through this thesis maintained the original layout of a mid engined 4 cylinder vehicle just as Ford designers engeneered it more than half a century ago.
The 2019 Torino is conceived with a Ford powered 4 cylinder supercharged V engine that produces 270hp paired with dual front electric motors that increase the total horsepower to 520.
The powertrain strongly differs from the contemporary Mustangs with the typical big block front mounted V8.
The name of this Mustang is Torino and the two tone stripes are made with the same colors of the city where this thesis was born.

Detroit 1962. Official photo Ford Mustang I, left Vice President Ford Herb Misch and director of design Gene Bordinat. Central engine, 1500 cc ,, V4 109 hp are the technical characteristics of the engine.

March 29, 2019 Luca Barattolo and Maria Paola Stola.May 2019. Emanuele Bomboi, L.Barattolo and M.P. Stole

The hybrid technical scheme of the Mustang Turin.

The first sketches by Luca Barattolo.The first sketches by Luca Barattolo.

Graphic research inspired by the colors of the city of Turin.

Turin 5 July 2019. Luca Barattolo exposes the thesis "An Italian custom-made vehicle on a classic
American muscle car"Turin 5 July 2019. Luca Barattolo exposes the thesis "An Italian custom-made vehicle on a classic
American muscle car"

Turin 5th July. The degree commission Maria Paola Stola, Laura Milani, Pietro Nume and Masato Inoue.

A few days after the presentation of the thesis, we met in Villarbasse to set up a “Post Thesis” study.
In this way the Tutor Emanuele Bomboi with great energy was able to transmit to Luca Barattolo all the improvements in terms of refinement of lines and coloring.
Luca Barattolo, without the pressure of exams anymore, was able to complete the drawing and thus simulate in a certain sense a real work environment and a manager to whom to report a result.

Villarbasse 24 July 2019. About three weeks after the presentation of the thesis, Maria Paola hosts the designer Emanuele Bomboi who as Tutor examines and corrects Luca Barattolo's drawings. The goal is to face a "Post Thesis" period together to obtain the most professional result possible.

August 14, 2019. This drawing is the result of Luca Barattolo's "Post Thesis" work together with his Tutor Emanuele Bomboi.

 

Official logos of the The Quail event.

Ralph Debbas CEO of W Motors, on the occasion of the 2019 Monterey Car Week edition, decides to participate with a Fenyr SuperSport in "The Quail" event in Carmel, California where on August 16th it will be exhibited in the W Motors stand.

Alfredo and Maria Paola Stola are personally invited to follow this extraordinary road trip divided into two parts, which began in Los Angeles towards Dead Valley to shoot a film, and at night a photo shoot in Las Vegas before returning to Santa Monica.

 

August 13, 2019: Ralph Debbas and Alfredo Stola shortly before entering in the Death Valley.

August 13, 2019: Ralph Debbas drives his Fenyr into Death Valley for the video.

August 13, 2019: just arrived at the Bellagio Hotel in Las Vegas; behind the Fenyr Nael Alieh, Gareth Davies and Ralph Debbas. Fenyr parking for the night at the Bellagio.

August 13, 2019: the Fenyr in Las Vegas Down Town.

August 14, 2019: Alfredo Stola and Ralph Debbas in Las Vegas before leaving for Santa Monica

The last stretch is to reach Carmel on the splendid “Pacific Coast 1 West California” road following the “Run Fuel” caravan.

Truly an unforgettable experience, with  W Motors friends met over time as Gareth Davis and Nael Alieh follow this Fenyr SuperSport in the western part of the United States for over 1300 km.

15 August 2019: Maria Paola and Alfredo Stola with Ralph Debbas in Santa Monica before leaving to Carmel. In the meantime, wash and detail the Fenyr before applying Fuel Run strikers Fuel Run stickers.

August 15, 2019: Maria Paola Stola a few minutes before departure for Carmel on Pacific 1.

August 15, 2019: on the Pacific 1 the Fenyr just before crossing the iconic Bi Bridge.

August 15, 2019: in downtown Carmel after lunch at Enzo's. In the photo they recognize each other Ralph Debbas Stefan and Estonia Ruf

August 16: 2019: Fenyr at The Queil event in the W Motors stand.

It was then pleasantly unexpected to meet John Lotz in Carmel in the same week, also taking part in the Monterey Week, and therefore to be able to see his STUDIOTORINO Ruf R Spyder again, the second example built, the only one with the engine without a volumetric compressor.

17 August 2019: Alfredo Stola with the Ruf R Spyder Studiotorino by John Lotz in the are residential in Pebble Beach.

Truly an extraordinary and unrepeatable moment of pure passion for cars, not days of work but of a true holiday.

 

On 19 December 2019, a major show car on the world stage is being delivered, and it is scheduled to be unveiled on 6 January 2020 in Las Vegas at the Consumers Electronic Show (C.E.S.).
It is the debut of Japanese electronics giant Sony in the automotive sector, its name is Vision S, and its stated goal is to enter the electric mobility sector also through integrated electronic systems dedicated to safety, driver assistance, and infotainment. 
Magna Steyr is a partner of Sony for various activities including a dynamic show car.
STUDIOTORINO was the technical advisor for the construction  of the Show Car for Magna Steyr Italy.
For the Stola family, there could not have been a more important occasion to end this month of December, coinciding with 100 years of work on the automobile that began in Turin back in 1919.

Rivoli 19 December 2019. at the Mercury modeling shop. The official photo of the Sony Vision S together with part of the Team. From left Beppe Aiola, Ermes Rizzardi, Valentino Vernacea, Robert Vernacea, Cristian Damiano, Massimo Mingozzi, Pier Germano, Walter Isabello, Silvano Grasso, Maurizio Damiano, Beppe Comollo, Massimo Picariello (ARAS), Gianpaolo Bedin (Raitec), Luca Curbis, Roberto Gatto (GR Painting), Sokol Kroni (GR Painting), Federico Cantillo (Magna Steyr), Ruffo Domenico, Luca Corbelli, Stefano Vair, Sony Memnber, Manfred Pircher (Magna Steyr), Marcus Haubenwallner (Magna Steyr), Sergio Prandi (Magna Steyr), Davide Secoli, Flavio Secoli, Tiziano Novo (Magna Steyr) and Alfredo Stola (Studiotorino)

The Vision S's beautiful exterior and interior design is the work of the Sony Style Centre in Tokyo, while the colours and materials are from their European centre in Lund.
The platform (chassis, mechanics, electric motors and battery) is provided by Magna Steyr Austria, the body and interior engineering and sub-assembly construction and assembly is by Magna Steyr Italy.
Among the Magna managers directly involved are Manfred Pircher Project Director, Marcus Haubenwallner, Tiziano Novo General Manager of the Magna Italy division and Sergio Prandi Project Leader in Italy.

Rivoli October 2019. The resident Sony Team at the Mercury offices.

Rivoli October 2019. From the left we can recognize L. Curbis, M. Mingozzi, S. Vair, X, F. Secoli and a. Stole.

Rivalta November 22, 2019 at the Aras prototype saddling department directed by Massimo Picariello.
Piero Dimonopoli, together with Sergio Prandi with the manager of the Sony Style Center
Swedish company whose headquarters are in the city of Lund.

Rivalta November - December 2019 at Aras. From the left we can recognize Tina, Gaetano Bottiglieri and Aldina.

Davide Secoli, Flavio Secoli and Federico Cantillo.Flavio Secoli

Rivoli November 2019. A visit to the prototype before painting by Helmut Gasser vice president Magna Engeenering Germany and Italy, present at that time Tiziano Novo general manager of Magna Steyr Italy and Alfredo Stola.

Turin 16-17 November 2019. At the Four Studios center, the technicians of Magna Steyr Austria at work for 48 consecutive hours, in shifts, for dynamic tests and related softweare adjustments.

None November 26, 2019 at GR Painting. The painting activities begin, Alfredo Stola describes the detail of the Sony Vision S logo to Tiziano Novo. From the left you can recognize ...

M. Catania, Soko, E. Trentinella, F. Pezzolati, S. Gatto, R. Gatto and A. Stola.In the foreground K. Sokol, F. Cantillo and R. Gatto. In the background F. Pezzolati, M. Mingozzi and B. Biswajit.

We recognize K. Sokol and E. Trentinella.The historic painter Erminio Trentinella.

None November 29, 2019. From left X, Y, Ueda Arinobu and Sergio Prandi.

On 10 December 2019 in Rivoli, just a few days before the delivery of the Show Car, a very important deliberation meeting took place between the Sony Management and the Magna Steyr Presidency; the objectives were to verify the quality of the bodywork and interior and the functionality of the systems.
There are only 9 days left to transport the Concept from Rivoli to Las Vegas, and its arrival at the Sony booth inside the Convention Center is scheduled for 2 January 2020.

Rivoli December 6, 2019 at the Mercury model shop. Sergio Prandi in coordination with Tiziano Novo,
prepares the most important visit scheduled for 10 December a few days before.
The full Sony Team and President Magna Steyr are expected to arrive. 

Rivoli 7 December 2019.

 Rivoli 9 December 2019. The electronic and electrical team of Magna Steyr Austria at work for the last refinements.
They recognize each other ...

Rivoli 10 December 2019. the Teams at work. From the left you can recognize Davide Secoli, Beppe Aiola, Massimo Mingozzi, from behind Frank Klein, X, Y, Z, K, Tiziano Novo, W, J.

Rivoli 10 December 2019 at 08:00. Waiting for the arrival of the Sony Management, scheduled for 09:00. On the right, an intense discussion between the general manager of Mgna Steyr Italia Tiziano Novo and Frank Klein, president of Magna Steyr; between the two Alfredo Stola from Studiotorino and Davide Secoli from Mercury. On the left in the foreground Sergio Prandi of Magna Steyr head of Sony Vision S project, next to him of the resident Sony Team Ishibashi Hidenori.

Rivoli 10 December 2019 at 09: 00. A manager from Sony management presents the progress of the work.

Rivoli 10 December 2019 at 10:45 am begins the inspection of the Vision S prototype now "almost" finished.

Rivoli 10 December 2019 at 12:00. Sergio Prandi demonstrates the operation of the front lighting group to Sony Management and to the President of Magna Steyr. From the left you can recognize ............

Rivoli 10 December 2019. Sony's Management examines other details of the Vision S.
You recognize .............................. ...............................................

Rivoli December 16, 2019. The rims made for Magna Steyr Italia by 2elle Engineering
are the last components to arrive.

Rivoli December 16. Davide Secoli and Massimo Mingozzi.Rivoli December 16. From Team Sony X and Ueda Arinobu.

Rivoli 17 December. Takuya Motoishi.Rivoli 17 December. F. Cantillo, A. Stola and S. Prandi, X, Y

Teams Sony, Magna Austria, Magna Italy and Studiotorino interacted throughout the Show Car's construction period, working side by side in Rivoli.
Sophisticated low-speed dynamic testing of the driving systems took place in a large, secure facility in Turin by Team Sony and Magna Austria before departure for the US, making the Vision S a Show Car that is functional in every detail like few others.

17 December 2019 Rivoli. Part of the Sony Team, Magna Steyr Austria, Magna Steyer Italia and Studiotorino and Mercury pose in a souvenir photo before transporting the Vision S to the Four Studios photographic theater in Turin. We recognize from Sinistra F. Secoli, A Stola, M. Mingozzi, T. Novo ................................ ..............................

18 December 2019 Turin. The photographer Piotr Degler Jablonski, commissioned by Magna Steyr Italia,
begins the official photographic service.

December 31, 2019.The result of the post-production of the photo shoot made in Turin on December 18:
the official photos of Sony Vision S.

January 2, 2020. The Sony Vision S prototype by truck arrives at the Las Vegas Convention Center from Los Angeles.

January 6, 2020 Las Vegas. At the Sony booth, CEO presents the Vision S concept to the press.

January 6, 2020 Las Vegas. Alfredo Stola together with Manfred Pircher (project leader Magna Steyr Austria) and Tiziano Novo (General Manager Magna Steyr Italy) toast to the success of the presentation that has just ended.

It is also for this reason, namely the great functionality and thus the realism of this Show Car, that at the conclusion of the Las Vegas event, on 10 January 2020, the international jury of accredited journalists awarded the Sony Vision S the 'Best of the Show' award.

10 January 2020 Las Vegas the delivery of the prestigious award to Team Sony.

 

In the second half of 2020, a collaboration between Studiotorino and the European Institute of Design in Turin was born. Maria Paola Stola gets a university teaching position in a Transportation Design workshop with eighty students for eighty hours of lessons.
The teaching is completely online due to the lockdown for Covid 19 with the students divided into four classes from various parts of the world; due to the different time zones, students were forced to make particular sacrifices.

Spring 2020. Villarbasse. Online lessons from the Stola home studio.

Throughout the 100 years of the work history of the Stola family, the fundamental technological steps of design and construction of the automobile have been analysed and re-evaluated, the fundamental phases for the realization of prototypes were established in Stola s.p.a. and later in Studiotorino.
In parallel, the students designed a lunar rover in accordance with NASA's plans for the Artemis Mission, that will bring the first woman and another man to the moon in the year 2024.
The lessons held over a three-month period focused not only on the mobility of the earth but also on that of our natural satellite.
A group project, normally carried out in the classroom with exchanges of views and knowledge, given the pandemic situation, had to be transformed into individual projects. Eighty lunar Rover projects will be progressed following the technical guidelines published by NASA aimed at industries all over the world.
Here are some examples of the work done.

The second workshop which took place in the first semester A.A. 2020-21 focused once again on the work done by the Stola family in the automotive field over 100 years.
The evolution over time of the creation of the car and all the steps required to bring a car into production.
Processes that naturally concern the world of design.
The collaboration with the IED university was stimulating from an intellectual point of view, prompting us to retrace the history of 100 years over and over again.

One of the most exciting topics of this workshop.Unpublished films, complete projects and exclusive photos of particular cars such as the Lancia Stratos Zero, seen after the restoration of the mechanics followed by Alfredo Stola for the collector Phillip Sarofim.
The thing that most gratified us was the satisfaction, interest and passion shown by the students and the management of IED Turin led by Professor Michele Albera.

Autumn 2020. Maria Paola Stola during the DAD lessons.

 

On 2 July 2020, in this year of lockdown for Covid 19, Maria Paola Stola for Studiotorino was external speaker for the graduation theses of the students Skender Zdrava and Fabrizio Allione of IAAD (Institute of Applied Art and Design).
As usual, the titles of the theses were chosen by Studiotorino, a commissioned work is simulated
whereby the student becomes the "supplier".

2 July 2020 Room X Online discussion of IAAD Torino theses.

Commisione di tesi per Skender Zdrava Discussion of Fabrizio Allione's thesis.

The titles this year were “Porsche Udara” with Zdrava, an electric SUV designed on the chassis of the Taycan model, an exercise in interior and exterior style following the philosophy of Studiotorino.

Another project,” Maserati Zefiro” by Allione, a Gran Turismo inspired by the Maserati stylistic elements of the 70s with notable modern interpretations.

Final sketch of the Maserati Zefiro, STUDIOTORINO custom-built by Fabrizio Allione.

Various stages of design research.

The undergraduates presented their theses online in July, but, with great surprise given the situation, on 6 October, Dr. Laura Milani, director of IAAD, organized an unforgettable graduation ceremony which was held at the Juventus Stadium. Three hundred students heard their name announced by the historic speaker of the Turin team, in front of a restricted but still numerous audience of parents, friends and teachers.

6 October 2020. Juventus Stadium Turin. Graduation Day IAAD 2020.

The director Dr. Laura Milani proclaims the graduates.Professor Masato Inoue and Maria Paola.

6 October 2020. Juventus Stadium Turin. Proclamation of Skender Zdrava.

6 October 2020. Juventus Stadium Turin. Proclamation by Fabrizio Allione.