SLR
In 1997, a few days before Christmas, without warning, we received an invitation to go to the Sindelfingen Style Center for a business meeting.
The breefing was presented by the director Bruno Sacco and assisted by Peter Pfeiffer and was exciting beyond all expectations. The proposed goal was to create a Supercar to celebrate their current Formula 1 collaboration with Maclaren, the MP 4\13.
This was the period in which the Silver Maclaren mercedes offered a real challenge to Ferrari, in partucular with Mika Hakkinen at the wheel, so much so that they would take the world championship, beating Schumacher's Ferrari, just before the prototype was finished.
We were told that the name would be SLR, in memory of the legendary "Silver Arrows", the formula 1 heritage was clearly seen in the front of the scale model. In the meetings, Maclaren were never mentioned, it was always described as a Mercedes with an AMG engine.
Mercedes' commitment was to have the 1/1 clay styling model with a motorized chassis in Turin by 2nd May.
After creating the Maybach, one of the most luxurious cars ever made, we now had the opportunity to build another prototype for Mercedes, an heir to the magnificent SLR, it is hard to describe the satisfaction that that gave.
Everything was planned, our team was ready, and on May 5th 1998 the model and chassis arrived by truck.
An hour later,the meeting to start work with the whole Stola Team was announced by Messrs Pfeiffer, Gorden Wagener and Jurgen Weissinger.
Now I would like to tell a particular story that may seem hard to believe, but having experienced it in person with my colleagues, and many years have passed, I feel I can tell it.
Before reaching the reserved area where the styling model and chassis of the SLR had just been positioned, the Mercedes Team saw our STOLA Abarth Monotype at the end of the corridor, recently returned from the Turin Motor Show, with both doors open.
Mr. Pfeiffer in reaching the restricted area was very taken by the doors of the open Monotype, which had been parked between a Lamborghini Countach and an Alfa Romeo 33 Stradale.
The SLR clay model had been designed and engineered to have conventional opening doors.
Instinctively, Mr Pfeiffer asks if the doors of their newly arrived model could be opened as the STOLA Monotype, and if possible what would the extra cost be?
Stola technicians, Felice Chiara, Vittorio Della Rocca and Lucio Giarolo were immediately tasked with the analysis, and after some empirical evaluation with the appropriate drawings it was communicated that it would be possible, without cost or time slip.
From that precise moment in time, the doors of the SLR would have had the same openings of the STOLA ABARTH MONOTIPO.
It would be 8 months of intense but rewarding work, in perfect integration with the Mercedes technicians residing in Turin.
The designers directly involved for the SLR prototype were the young Gorden Wagener and Steffen Khoel, who together, not only designed the model but would oversee construction throughout the process, pushing us to goals of quality and more and more ambitious details.
For this project, for the first time in our history we also built the aluminum rims within our production structure.
Like all the Mercedes show prototypes, everything but everything is absolutely functional and working, this is a characteristic that few car manufacturers claim in this very first phase of a project.
Presented at the Detroit Motor Show in the early days of January 1999, as always in the presence of Mercedes top management, the interest of journalists was positive far beyond expectation.
On the second day of the Detroit Show, in a meeting in the lounge of the Mercedes stand, Bruno Sacco and Peter Pfeiffer tell us that for the Frankfurt Motor Show, in 8 months we will have to build a new roadster version of the SLR.
In February 1999 we received a new clay model and roadster chassis from Sindelfingen, of course the doors still had exactly the concept as the Stola Abarth Monotype.
The working teams remained the same, and at the beginning of September Jurgen Hubert presented the SLR roadster, announcing that both versions would be put into production, starting with the coupe, at the MacLaren factory in England.
The SLR daughter was certainly the 2004 SLK called the R 171 with the unmistakable hood with the DNA of the great SLR supercar.